Once You’ve Been Sprung You Don’t Want To Go Back

And other ramdom thoughts from my ballet week.

Recently, I had the opportunity – the priviledge – of dancing on a sprung floor studio for the first (and so far, only) time. It was amazing – I felt like I could jump all day. The landing is so much more cushioned and smooth. Then, I returned to reality my regular studios. Anyone who gets to work on a sprung  floor on a regular basis – I hope you realize how lucky you are. But then, I get to dance at all, so I should consider myself lucky as well. (And I do)

This week, there was a sub at NS, and it was a cool experience, as it often is taking class with someone who is not one of my regular teachers (if anything, I seem to get different – and extremely helpful -corrections when taking class with a new teacher.) One thing I really liked was that for the balance in releve retire at the barre, she had us just rest the hand lightly on the barre, the only use one finger to rest on the barre. I find this so much less abrupt to switch to no hands than to just take the hand off, espccially since I’m still working on my balance and confidence. That one finger does so much for my confidence, but at the same time I’m having to work much harder to pull up than if I had my whole hand on the barre. This sub in particular is really big on pushing us to go for a deeper plie, which is something that I need. I also like this intense stretch we do at the wall barre: from the croise leg at the barre stretch, she has us twist back with our leg still at the barre and grab the barre behind us with the opposite hand. I’m not good at describing it but it looks so hard to so that I felt a sense of accomplishment just for being able to get into it, like my flexibility’s come such a long way.

This class also got me thinking: good teacher will find a way to challenge everyone – even the girl that is showing off that she knows what she’s doing (and insisting on multiple pirouettes when everyone else is struggling with singles, yet she’s late on the count every single time (reminded me of that scene in CenterStage when one of the characters – I think her name was Anna? – kept trying to squeeze in an extra revolution, and the teacher called her out on it)). I tend to get intimidated when there’s a more experienced dancer – and I know I’m not the only one, but when the teacher corrects them too instead of just heaping praise upon them it makes the class atmosphere so much less intimidating. Or maybe it’s just me..

Speaking of showing off, I still struggle with the whole idea of me being one of the more advanced dancers in a particular class. As I’ve mentioned before, I’m taking a beginner Modern class. M Teacher has us do almost the same exact exercises she had us do the last session, so they’re familiar to my body. I’m at the point where I’m focusing more on making them look as they should rather than just holding my balance. During warm-up, as we all stay in place, I’m able to stay more or less inconspicous. But when we go across the floor, there’s nowhere to hide (as we all know). My classmates are visibly struggling with the across the floor combinations and I feel really guilty going through them seemingly effortlessly. I mean, they can’t know the huge amounts of effort it took me to get to this point just from looking at me. It’s so awkward when we line up to go across the floor and even though I didn’t set out to be in the front they just line up behind me anyway, placing me in front by default. Then we went across in partners and there was an odd number of people so I ended up going by myself. It was a somewhat challenging (for beginner level) combination, including balances on one leg, this weird plie/lunge/glide walk, direction changes and quick turns. I didn’t feel shy or awkward about dancing, or going alone, but about being able to do it. I suppose I’m just a weirdo, because I fully realize that the exact opposite (being the only one who cannot do it) is a place I don’t want to be as well.

There’s a girl who starts randomly dancing around (not doing the steps M Teacher set out, just kind of shimmying around), and I find myself feeling irritated, so maybe I’m just projecting.

On the happier side of things… fun combination of the week: balancé, balancé, soutenu, developpe devant croise, tendu close, brush back to arabesque, plie and hold balance (I could have sworn a promenade would follow, but not this time), close to pas de bourre, pirouette from fifth en dehors(that I kept accidentally taking en dedans because that seemed more natural in a hurry), land in fourth, pirouette from fourth, other side. This was in Intermediate class. Pirouettes from fifth continue to be my weakness, but from fourth I’m starting to feel more comfortable.

I continue to work  on straightening my knee. A big part of it was just needed the reality to sink in. Now that I’m super aware of the issue I’m making sure to really feel like I’m pushing the floor away every time.

In Beginner class our combination was port de bras with plies fo four counts, developpe devant, developpe a la seconde, close back in coupe, pas de bourre x2, passe releve balance, other side. We also worked on our chaines across the floor and lots of jumping. The easier combination was 4 sautes in first, in second, 4 changements, and 2 echappes – standard jumping combination. The more challenging one was the same except instead of the 2 echappes at the end there were 3 jumps where we jump in second, beat the legs, and land in second again, followed by one jump from second, with a beat and landing in fifth, then reverse the whole thing to the other side. I remember last summer I definitely couldn’t do those jump-from-second-and-beat jumps – I think I was too weak to attempt them – but I tried them and they could have been worse. My comfort level for beats is increasing, as well as my leg strength. And at least I no longer flex my feet while attempting to beat.

Sometimes, Teacher will switch up the music she plays for class and she will ask the class if they know which ballet the piece is from. This week, I must have been feeling bolder than my usual self, because I actually spoke up and named quite a few of them. Then one of my classmates made a comment about it and I felt like a total nerd. I don’t get it though – why take ballet (as an adult) if one is not enthusiastic about it? I couldn’t imagine devoting so much time to a hobby if I didn’t feel very interested in it (and as such, spend countless hours watching it on youtube). But I guess we’re all different and it is not my place to understand…

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2 thoughts on “Once You’ve Been Sprung You Don’t Want To Go Back

  1. yorksranter

    A club I like recently installed a sprung, polished floor since the last time I was there. An incredible delight. It’s just a pity our studio doesn’t have that…

    Reply

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