Tag Archives: pique turns en pointe

Coming Up With A Title Is The Hardest Part…

Since the last time I wrote on here I’ve had a few really enjoyable classes…

In intermediate, we did this really fun center adagio: developpe croisse devant, cloche  thru to arabesque, go into attitude and promenade with the working leg going into retire by the time the turn is done, and from there developpe out again in ecarte line, bring the foot down into a pique pas de bourre, developpe same working leg in ecarte line, balancé  onto that leg, soutenu, now facing other side, chasse to a fourth position lunge, port de bras/cambre front and back, tendu close, other side. It was so pretty!

We also did tendus to work on our facings: croisse devant, en face, efface devant, close, hold; ecarte derriere, a la seconde en face, ecarte devant, close, hold; efface derriere, en face derriere, croisse derriere, close hold. The confusing part was when we got to derriere, because I wasn’t sure to which side I was supposed to angle my body next, and I ended up doing croisse when it was supposed to be efface. I got it by the last time we did the combination, but it was something I think i should practice more. We do a very similar combination in one of my beginning classes, but in Intermediate it’s about twice as fast – no time to think, just do – which really tries that muscle memory.

In Beginning, we had as center combination of  tombe pas de bourre to both sides, then this new one (to me): tombe backwards, then pas de bourre by closing in front instead of back. It felt weird to tombe backwards, as I’d actually never done that before, but I was so grateful for my improved balance that made it actually do-able and fun.

Also in Beginning we did lots of piques to prepare for pique turns, first at the barre, then in center on flat, then on releve and finally adding the turn. While I enjoyed myself, I was thinking that I would’ve hated to have been an actual, brand -new, several-weeks-into-ballet kind of beginner (like some of my classmates in that class are), which kind of confirms to me that the learning curve expected in these classes is more than I could do with the fitness level – or more like lack of fitness – I had going into ballet. So many of them have a dance, cheer, gymnastics, or sports background  that it is perhaps expected to have such a background, but those of use that didn’t start off with one can really struggle at first. At first, being the operative words – sometimes I feel like my initial struggles did serve to motivate me into working harder, and if so then it was a blessing in disguise.

Speaking of pique turns, I  did my first pique turn en pointe, then I did a few more, but not in a row. What happened was that I started to muscle-memory my way into the second turn, then my brain caught up and I realized what I was doing and when it came time to pique into the turn I just when to demi pointe. I’m annoyed because I think I could have done it, but I wimped out. But at the same time I love it that I actually did a pique turn en pointe! And I piqued onto a straight leg, which I know because an advanced dancer classmate was scutinizing my every move – she even insisted I do it with correct arms instead of just doing nothing with my arms. So far it’s only been to the right, but in general with every thing en pointe for me the left side lags behing the right by about 2 to 3 weeks, like once I become comfortable with something to the right it takes on average for my left to catch up.

I also started working on balancés and pas de basques on pointe. I’m pleased about this because they feel so dance-y and I can start to feel like I know enough steps to put together a dance. Exciting times in my ballet journey!

Since we had break from my regular school, I had the opportunity to go on down to New Studio and take a class there. It was great; the people who showed up that day have been going there for several months so we got a nicely challenging class. Short barre, then right into an adagio in center: developpe croisse devant, close, developpe ecarte, close, developpe to arabesque, rond de jambe the leg back to the front keeping it up the whole time, tendu down to fourth, pirouette en dedans (my fav!). Not only did my adagio-loving self love the combination, but the teacher mentioned that she finds en dedans easier and I was like ‘Yes! Someone understands!’ Haha.

We also did a lot of across the floor. Tombe, pas de bourre, chasse to arabesque, pirouette en dehors, pirouette en dedans, repeat, first at a slower tempo, then in double time. Then lots of waltzing and this really cool combination in which we did a saute arabesque and landed into a balance en tournant, then repeated, all the way around. We went in a circle around the room for this one and it was so awesome, like we were a corps de ballet gliding across a stage. Good times.

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There is something else that happened that made me happy, but I feel weird just saying it, so first some background: I am extremely socially awkward and have anxiety over it. Like, you wouldn’t believe how socially awkward I am, and I wouldn’t wish this on anybody. You know those situations when two people find themselves in the same place, in each other’s way, and there’s this hesitation/pause, kind of like you’re deciding who gets to go first, and then ultimately you always let the other person go out of awkwardness? Yea, that’s me, pretty much every moment that I come across anybody… (Strangely enough, I don’t have this issue while driving, go figure)

I think I wrote on here over a year ago about how one of the most challenging aspects of ballet is when we come out to center and we have to line up and I struggle with that because I don’t know where to put myself – like I start going for one particular spot but then I think someone else wants that spot and my first reflex is to let them have it, to avoid a “confrontation” (put in quotes because while the intelligent/logical side of my brain knows it’s not, the traumatized/scared side of me thinks it is, and self-preservation, and yea…). Well, now it’s been years of training in ballet – 4 years to be exact – and I still have this issue; I’ll “back down” to people who are brand new beginners. It’s not that I don’t want to be in the front – let’s be honest, I do – or that I don’t know the combination and need someone to follow, because by now I’ve actually gotten decent at memorizing combinations, especially beginner level ones; it’s that I’m terrified of the potential drama, and I feel guilty, like I’m taking someone’s spot. One of my teacher’s said something along the lines of ‘with ballet, you have to stake your territory’ and I felt so depressed because if that’s the case, well, I’m kinda screwed…

Anyway, in one of the last classes I took, we were lining up to do pique turns across the floor. I was ready for the more,ummm, assertive, I guess, people to crowd the front as usual, but then one of my classmates said to me “You should go first – you’re more advanced.”  !!! I can’t even describe how pleased I was! This probably makes me sound like a weirdo (but let’s face it, if you’re still reading you probably already knew that about me) but I felt so validated – like someone has noticed my hard work.  I mean, in a different class I took recently, someone crowded me out of the front and they didn’t even know which leg to start on (and I’m not saying any of this to be mean), and this makes me feel like I’m not taken seriously as a dancer. Like no matter how much I advance I’ll always be the person that gets pushed around… and, being honest, I feel that it has to do with the fact that I don’t *look* like a ballet dancer. So this little moment was very refreshing and still brings a smile to my face,

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